Elliot and Roslyn Jaffe History of Art Building 3405 Woodland Walk Philadelphia Pa

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Juxtaposing deserted islands in the Venetian Lagoon alongside the painting in its museum setting,... more Juxtaposing deserted islands in the Venetian Lagoon alongside the painting in its museum setting, this experimental pic essay explores how Bellini's work dramatizes different properties of ground through the geological forms of rockface, cavern, and liquified rock, which shift between background, stratified aeroplane, and unstable foundation. Lyrically narrated, The Desert in the
Lagoon suggests how Bellini'south stratified and fissured wilderness opens up ways of imagining confinement, distance, and the passage of time in the Renaissance pic.

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This essay considers gilded grounds in early Renaissance console painting every bit sites of the possible, h... more This essay considers gilt grounds in early on Renaissance console painting as sites of the possible, here understood in the discussion's double meaning as creative power and mimetic potential. After examining how gold ground in art historiography is depicted as a zone aquiver between worldliness and otherworldliness, the discussion focuses on the process and meaning of golden ground in Cennino Cennini's Libro dell'arte (c. 1390) and Gentile da Fabriano'southward Virgin and Child (c. 1405, Perugia, Galleria Nazionale dell'umbria), with focus placed on the technique of granulation (opus punctorium). Besides explored is how gold money and gold pictures be in a relationship of exchange and mutual reinforcement, both depending on the faculty of sight to recognize them as bearers of value. Gold ground unfolds a spectrum of material, medial, perceptual, and devotional possibilities, which facilitates continuous passage between worlds, artisanal and climatic , pictorial and metallurgical, concrete and ethereal.

Keywords Cennino Cennini-Gentile da Fabriano-gold-gold ground-granulation groundwork-malleability-opus punctorium

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https://www.college-de-france.fr/site/victor-stoichita/symposium-2018-06-05-11h15.htm

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Juxtaposing deserted islands in the Venetian Lagoon alongside the painting in its museum setting,... more Juxtaposing deserted islands in the Venetian Lagoon aslope the painting in its museum setting, this experimental film essay explores how Bellini'south work dramatizes different properties of ground through the geological forms of rockface, cave, and liquified stone, which shift between groundwork, stratified aeroplane, and unstable foundation. Lyrically narrated, The Desert in the
Lagoon suggests how Bellini'southward stratified and fissured wilderness opens up means of imagining solitude, distance, and the passage of fourth dimension in the Renaissance motion-picture show.

23 views

PaperRank:

This essay considers gilded grounds in early Renaissance console painting as sites of the possible, h... more than This essay considers gold grounds in early Renaissance panel painting as sites of the possible, hither understood in the word's double meaning as artistic power and mimetic potential. Afterward examining how gold ground in art historiography is depicted every bit a zone aquiver between worldliness and otherworldliness, the give-and-take focuses on the process and meaning of gilded ground in Cennino Cennini's Libro dell'arte (c. 1390) and Gentile da Fabriano's Virgin and Child (c. 1405, Perugia, Galleria Nazionale dell'umbria), with focus placed on the technique of granulation (opus punctorium). Also explored is how gold money and gold pictures exist in a human relationship of exchange and mutual reinforcement, both depending on the faculty of sight to recognize them as bearers of value. Gilt ground unfolds a spectrum of material, medial, perceptual, and devotional possibilities, which facilitates continuous passage between worlds, artisanal and climatic , pictorial and metallurgical, physical and ethereal.

Keywords Cennino Cennini-Gentile da Fabriano-golden-gold ground-granulation groundwork-malleability-opus punctorium

PaperRank:

https://www.college-de-france.fr/site/victor-stoichita/symposium-2018-06-05-11h15.htm

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haleyafriallifuld.blogspot.com

Source: https://upenn.academia.edu/DKim

Elliot and Roslyn Jaffe History of Art Building 3405 Woodland Walk Philadelphia Pa

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